Tag: Alexie Glass-Kantor

• Art Basel Hong Kong 2019: A Post-Mortem

  

  If with the advent of Artificial Intelligence, and the concomitant displacement of jobs that ensues, only those servicing the über wealthy will remain employed, then it would appear that the art world, with its numerous advisors, dealers, collection managers and specialists catering to wealthy collectors––minted by the minute like Zimbabwean currency––should be just fine. It […]

  postism

  April 8, 2019

  Art

  ABHK, Agnes Martin, Alexie Glass-Kantor, Anne Imhof, Art Basel HK, Art Basel Hong Kong, Art Basel Hong Kong 2019, Axel Vervoordt, Barabara Kruger, Blindspot Gallery, Candice Lin, Chiharu Shiota, Christie’s, Cindy Sherman, Clarissa Tossin, David Zwirner Gallery, Diana Darenberg, Eau de Cologne, Egon Schiele, Empty Gallery, Francois Ghebaly, Gagosian, Gallery Exit, Jean-Michel Basquiat, Jenny Holzer, Jhaveri Art, Juliana Huxtable, Katsushiro Yamaguchi, Kaws, Kimsooja, Lam Tung Pang, Lee Bul, Levy Gorvy, Louise Bourgeois, Lubna Chowdhary, Luhring Augustine, Marianna Simnett, Mary Corse, Morandi, Neo Rauch, Pace Gallery, Pamela Rosenkranz, Project Native Informant, Richard Nagy, Robert Rauschenberg, Simone Leigh, Sopheap Pich, Sotheby’s, Sprüth Magers, Susanne Pfeffer, Tai Kwun Contemporary, The Violence of Gender, Tishan Hsu, Tony Albert, Wayne Thiebaud, Wong Ping, Zeng Fanzhi, Zou Wou Ki