Art Basel Hong Kong 2019: A Post-Mortem

If with the advent of Artificial Intelligence, and the concomitant displacement of jobs that ensues, only those servicing the über wealthy will remain employed, then it would appear that the art world, with its numerous advisors, dealers, collection managers and specialists catering to wealthy collectors––minted by the minute like Zimbabwean currency––should be just fine. It…

A Conversation with Michaël Borremans

Published on ocula, 17 April 2018 OCULA CONVERSATION IN PARTNERSHIP WITH THE 21ST BIENNALE OF SYDNEY Guest editor: Natalie King Embarking on a career as a painter relatively late, at the age of 33, Belgian artist Michaël Borremans initially trained as a draughtsman and engraver at Saint Lucas in Ghent. On the occasion of his inaugural…

Art Basel Hong Kong 2018: A Post-Mortem

Published on Ocula, 6 April 2018 On Monday night of Hong Kong Art Week, the Guerrilla Girls, the US feminist activist art collective who call themselves ‘the conscience of the art world’, addressed a packed lecture theatre at University of Hong Kong—their first ever appearance in Asia. Armed with their signature stats, facts, and bananas,…

The Lowdown: shows to see during Hong Kong Art Week

Published on Ocula, 23 March 2018 Once again, the Hong Kong art machine is gearing up for Art Basel in Hong Kong (29–31 March 2018), now in its sixth edition. With surrounding art fairs like Art Central (27 March–1 April) opening alongside the main event, and an ever-expanding list of exhibitions and happenings taking place,…

Profile: Michael Borremans

Text published on ocula For two decades, artist Michaël Borremans has been confounding—and captivating—audiences with his enigmatic paintings. Trained as a draughtsman and engraver at Luca School of Arts in Ghent, followed by several years of photography, it was only after a sabbatical from teaching at the age of 33 that Borremans (b. 1963) started…