Tag: Diriyah Biennale Foundation

• Kunsty Kvetch: Art Basel Hong Kong 2023

  

  After three Covid-ridden years, in which the city shut itself off from the rest of the world in attempt to control infection, the art hamster-wheel— fuelled by money, status-anxiety, booze and of course, lots of art— was in motion once again in Hong Kong. With restrictions finally lifted, including the mask mandate, the international art…

  postism

  April 14, 2023

  Art

  ABHK, Alexie Glass-Kantor, Anat Ebgi Gallery, Angela Su, anothermountainman, Art Basel, Art Basel Hong Kong, Art Fairs, Art galleries, Art Gallery of New South Wales, Art Market, art review, Art satire, art scene, Art Writer, Awol Erizku, Blindspot Gallery, Cary Kwok, Contemporary Art, David Zwirner Gallery, Diana d'Arenberg, Diriyah Biennale Foundation, Elizabeth Peyton, Empty Gallery, Fergus McCaffrey, Galerie Eigen + Art, Gimhongsok, Herald Street Gallery, Hong Kong Art, Hong Kong Artists, Hong Kong contemporary art, Jes Fan, Jhaveri Contemporary, Joydeb Roaja, Kazuo Shiraga, Kukje Gallery, Lucie Chang Fine Art, M+ Museum, Marc Spiegler, Martha Jungwirth, MCH Group, Nibha Sikander, Nicola Samori, Noah Horowitz, Peres Projects, post-ism, Rebecca Ackroyd, Retro Africa Gallery, Stanislava Pinchuk, Stanley Wong, Tammi Campbell, Tarq Gallery, Tishan Hsu, Trevor Yeung, Victor Ehikhamenor, Wai Kin Sin