Tag: Edouard Malingue Gallery
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Shanghai: West Bund 2018 and Art021
The last time I visited West Bund Art & Design was four years ago, when the fair was only in its first year of operation: a small, boutique offering held in a cavernous hangar that seemed too big for it. Much has changed since then. Mirroring the rapid development of the city itself, West Bund…
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Review: Wang Zhibo at Edouard Malingue Gallery
Published in Artomity, Issue no. 2, Autumn 2016 The disembodied head of Mickey Mouse floats before the striated background of a canvas alongside the head of a putto and several archeological finds. But Wang Zhibo isn’t another Chinese contemporary artist dredging up Western iconography in an attempt at ironic kitsch. We’ve moved on from the…
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Hong Kong Spring Exhibitions
Published on ocula.com, 14 April 2016 Afterwork at Para Site 19 March to 29 May 2016 In a city where the problems and issues facing migrant workers—who make up approximately 4% of the population, and are mainly women—are seldom addressed, and where stories of injustice and tales of domestic-helper abuse by employers have been making headlines…
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Art Basil (sic) Hong Kong
Published on ocula.com, 31 March 2016 I was Brainwashed the Friday before Art Basel Hong Kong kicked off. French street artist, Mr. Brainwash, was holding court—to an audience full of Hong Kong society types, complete with bodyguards, and media—with a spray can in a graffiti decorated shell-space in Lan Kwai Fong. It was one of…
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The Art and Soul of Hong Kong
Published in Destinations of the World, Dubai, February 2016 As Hong Kong gears up for the thought-provoking art and fabulous parties of Art Basel next month, Diana d’Arenberg examines the coming-of-age art industry in a city on the cusp of a cultural renaissance A metallic cube rises up over the construction site that has occupied an…
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HK Autumn Exhibitions 2014: Walls, Landscapes & Dames
Published on ocula.com, 24 September 2014 Hong Kong seems to be growing out of its love affair with big brand artists, some of which have had about as much appeal as a vagazzler—overexposed, brash, bling. Gone are the dot paintings and Swarovski skulls, and Maos, as the city transitions to a deeper engagement with more…
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