Since the 1990s, Welsh conceptual artist Cerith Wyn Evans has created work about language, perception and representation. The artist skilfully weaves in elements of the musical, literary, philosophical and cinematic, resulting in exhibitions that are densely layered and at times even cryptic.
Visitors are greeted by an eerie echo of operatic voices floating up the spiral, brutalist staircase as they make their way to the third floor of the Tai Kwun Contemporary exhibition space in Hong Kong. The operatic work, One Hundred Nine Minus (2021) is the first of a three-part video, sound, and performance installation titled 'Echo, Moss & Spill',... Continue Reading →
American artist Sherrie Levine's recent exhibition Hong Kong Dominoes at David Zwirner in Hong Kong (4 September–13 October 2021) is comprised of six bodies of work that span three decades of the artist’s career. Levine rose to prominence as a member of the Pictures Generation, a group of artists based in New York in the late 1970s and 1980s. Originally trained as a... Continue Reading →
Hans Peter Feldmann’s recent exhibition at Hong Kong’s Simon Lee Gallery, features works from across nearly five decades of the Dusseldorf-born artist’s career, including sculpture, photography, installation, collage and found objects.
Over the past two decades, Rodel Tapaya has become one of the leading Filipino artists of his generation, gaining international recognition in 2002 when he was awarded the Top Prize at the Nokia Art Awards Asia, followed by the APB Foundation Signature Art Prize in 2011.
Simmons has used his practice to retrace, reclaim, and reconstruct African-American history and experience by uncovering the way institutions enforce inequality and assert control.
Published on christies.com, November 14, 2014 On a bare grey painted wall in Hong Kong’s Lehmann Maupin gallery, Robin Rhode draws a simple crude outline of a car with a white piece of chalk. With audience participation, he proceeds to wash and polish it, until there is no longer a chalk drawing, just dark smudges... Continue Reading →
OUT OF HIS SKULL Published in Asia Tatler, February 2013 In the long, white, clean space of the gallery hang 14 paintings. They are accompanied by the frantic movement of a dozen people, while metres of electrical cord wind across the bare wooden floor. Cameras are set up and a team of silent assistants shuffles... Continue Reading →