Machines of Desire's Hong Kong chapter stages a collision of unconscious and conscious desires, a motivating force of contemporary consumption, through 12 works by eight artists.
Red Forest, Party's exhibition with Hauser & Wirth in Hong Kong (30 June–24 September 2022), his first in the city, delivers more vibrant, collector-pleasing compositions that launched his reputation into the artistic stratosphere.
Simmons has used his practice to retrace, reclaim, and reconstruct African-American history and experience by uncovering the way institutions enforce inequality and assert control.
Shirazeh Houshiary was born in 1955 in Shiraz, an Iranian city known for its rich literary and art history. She came to London in 1974 to study at the Chelsea School of Art—five years before the Iranian Revolution broke out. It was her sculptural works that first garnered attention in the 1980s, and which also... Continue Reading →
Published on ocula, 17 April 2018 OCULA CONVERSATION IN PARTNERSHIP WITH THE 21ST BIENNALE OF SYDNEY Guest editor: Natalie King Embarking on a career as a painter relatively late, at the age of 33, Belgian artist Michaël Borremans initially trained as a draughtsman and engraver at Saint Lucas in Ghent. On the occasion of his inaugural... Continue Reading →
Published on Ocula, 23 March 2018 Once again, the Hong Kong art machine is gearing up for Art Basel in Hong Kong (29–31 March 2018), now in its sixth edition. With surrounding art fairs like Art Central (27 March–1 April) opening alongside the main event, and an ever-expanding list of exhibitions and happenings taking place,... Continue Reading →
Text published on ocula For two decades, artist Michaël Borremans has been confounding—and captivating—audiences with his enigmatic paintings. Trained as a draughtsman and engraver at Luca School of Arts in Ghent, followed by several years of photography, it was only after a sabbatical from teaching at the age of 33 that Borremans (b. 1963) started... Continue Reading →
Published on ocula, 7 November 2017 Independent curator Piper Marshall's career has followed a quick upward trajectory since landing a job as a curator with the Swiss Institute in 2008. After six years with the institute she left to pursue freelance projects, leading to her recruitment by Mary Boone in 2014 to curate six shows—later extended... Continue Reading →
Published on ocula.com, July 2017 Summer is the time for gallery group shows, a filling up of the white cube with dead stock. They're usually a pretty boring mind-numbing affair of recycled work from previous shows tied together with a spurious curatorial spin printed on a press release that nobody will read. The collectors—along with... Continue Reading →
Published on ocula.com, 24 May 2017 A tiny country, barely bigger than New Jersey, and not yet 70 years old, Israel’s contribution to the international contemporary art scene is mainly overshadowed by its ongoing, seemingly never-ending conflict. And falafels. But returning recently after a 15-year absence I found myself taking in more art than I... Continue Reading →
Published on ocula.com, 7 April 2017 For one week each year, Hong Kong, the capital of capital, transforms from a tycoon's Monopoly board dotted with luxury malls and expensive real estate into Asia's art centre. During Art Basel's annual week in Hong Kong in 2017, art could be found everywhere. Malls were filled with art... Continue Reading →