Diana d’Arenberg is a Hong Kong and Berlin-based art and culture writer, and art advisor. She has an academic background in Art History, Literature and Film Studies, and a Masters in International Relations. As a writer she has worked with international galleries, art fairs and biennials, luxury brands, and over twenty international publications including: Harper’s Bazaar; South China Morning Post (Hong Kong); Rossiyskaya Gazeta (Russia); Prestige (Hong Kong); LEAP (China); Luxe City GuidesThe Art Newspaper; Ocula; Christie’s; Artomity (Hong Kong); TAR Magazine and Asia Tatler. Diana is also the former editor and co-founder of Framed, an independent Hong Kong art and culture magazine dedicated to profiling local and international artists, collectors, and designers.

Diana has interviewed and profiled some of the biggest names in contemporary art and design, including: Anish Kapoor; Georg Baselitz; Takashi Murakami; Sterling Ruby; Michael Borremans; Neo Rauch; Jeff Koons; Sophie Calle; Theaster Gates; Rachel Kneebone; Catherine Opie; Christian Louboutin; Mary Katrantzou; and David Lynch. She also regularly speaks on panels and television shows about contemporary art and design, including at Art Basel Hong Kong; Photofairs Shanghai; BBC; RTHK; West Bund Art Fair, Shanghai, and for clients such as Louis Vuitton, and international and local art galleries. Previous public talks have featured artists JR, Robin Rhode, Jiang Pengyi, Hernan Bas, and Toby Ziegler; curators Alexie Glass-Kantor, Adeline Ooi, and Jeffrey Deitch; and designer Aurel Aebi.

At the 2012 Art HK fair, Diana was the co-curator of Art Flat, an interactive art booth featuring unique collectible products commissioned by local and international artists, with proceeds supporting Para/Site Art Space, Hong Kong‘s oldest non-profit contemporary art organisation.



Portrait by Olivier Yoan for Prestige Magazine, Hong Kong 2018



Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
© Diana d’Arenberg and post-ism, 2019. All rights reserved.

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