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July 28, 2025
Tracey Emin: Sex & Solitude in Florence
May 9, 2025
Correction Through Connection
May 7, 2025
Art Basel Hong Kong 2025 Receipts: Fair & Content
March 21, 2025
Six Must-See Exhibitions During Hong Kong Art Week 2025
January 20, 2025
From the Archive: The Art Of Darkness With David Lynch
January 7, 2025
Immersive Art Experience: GOLD_LEAD_WOOD_COAL at Tai Kwun
January 3, 2025
Jessica Rankin: ‘Sky Sound’ at White Cube Gallery, Hong Kong
September 13, 2024
Iris van Herpen: Sculpting the Senses
August 26, 2024
Five Must-Have Titles From The Annual Taschen Book Sale
June 14, 2024
Bruce Nauman: Beyond the Comfort Zone
April 29, 2024
Art Basel Hong Kong 2024 Postmortem
April 17, 2024
Daniel Boyd on Decentralising Perception
March 18, 2024
Wonton Pleasures with Chang Ya Chin
March 8, 2024
Shapeshifting Possibilities: Green Snake at Tai Kwun
March 1, 2024
Pixy Liao’s Comfort Zone at Blindspot Gallery
February 22, 2024
Lawrence Carroll in ‘Whispers of the Soul’, Villepin Gallery, Hong Kong
January 15, 2024
Design: Liaigre’s Quiet Luxury
January 2, 2024
Surrealist: Lee Miller at Heide Museum of Modern Art
December 10, 2023
Julie Curtiss at White Cube Hong Kong
July 27, 2023
Human, All Too (Post)Human: Patricia Piccinini’s HOPE at Tai Kwun
June 9, 2023
Utopia and its Discontents: Anselm Kiefer’s Golden Age at Villepin Gallery
May 10, 2023
In Praise of Shadows: Raha Raissnia at Empty Gallery, Hong Kong
April 14, 2023
Kunsty Kvetch: Art Basel Hong Kong 2023
November 9, 2022
Haim Steinbach: tin drum at White Cube
September 13, 2022
Review: Machines of Desire at Simon Lee Gallery, Hong Kong
August 10, 2022
Nicolas Party: From Fantasy to Catastrophe
April 11, 2022
Review: Cerith Wyn Evans at White Cube Gallery
January 21, 2022
Pan Daijing: ‘Echo, Moss, Spill’ at Tai Kwun Contemporary
January 15, 2022
Bruce Nauman: Presence/Absence at White Cube
January 10, 2022
Sherrie Levine: Hong Kong Dominoes
July 16, 2021
Hans-Peter Feldmann at Simon Lee Gallery
June 28, 2021
Rodel Tapaya’s Random Numbers
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