The “enfant terrible of the New York school”, as poet Frank O’Hara dubbed Robert Rauschenberg, reshaped 20th-century American art and left behind a boundary-breaking body of work characterised by experimentation and unorthodox use of different media. His early works, made in the 1950s and 60s, featured composites of found objects – bottles, a taxidermy goat head, newspapers, chairs, rubber … Continue reading
The last time I visited West Bund Art & Design was four years ago, when the fair was only in its first year of operation: a small, boutique offering held in a cavernous hangar that seemed too big for it. Much has changed since then. Mirroring the rapid development of the city itself, West Bund … Continue reading
Published on ocula From Cao Fei’s first large-scale institutional exhibition in Asia, to a showing of historical works by Robert Rauschenberg, Ocula contributor Diana d’Arenberg offers her lowdown of shows to see in Hong Kong this autumn. Cao Fei: A hollow in a world too full Tai Kwun Contemporary, 10 Hollywood Rd, Central 8 September … Continue reading
Published on ocula ‘There is nothing more boring than the story of decline,’ a journalist remarked at an art criticism panel I attended the evening before making the trip to see Art Taipei (26–29 October 2018). As I attended the opening night of Asia’s oldest art fair, which celebrates its 25th anniversary this year, those … Continue reading
During the Ottoman invasion of Wallachia in 1462, Sultan Mehmed II– who had marched into the territory with an army of more than 150,000 troops–entered the small town of Târgoviste, in what is today known as Romania, to find a forest of twenty thousand Turkish men, women, and children, all impaled. The perpetrator; voivode Vlad III … Continue reading
Describing herself as a ‘kind of twisted social documentary photographer’, American photographer Catherine Opie has an affection for subcultures. Inspired by the photographs of Lewis Hine, the Ohio-born Opie picked up the camera at age nine and immediately began photographing friends and her community. Her early series Being and Having (1991) and Portraits (1993—1997) mixed traditional portrait photography with less … Continue reading
A row of 12 colourful creatures cast shadows behind a blue wall in Perrotin Gallery Hong Kong. A series of paintings–large and small–fill up the other wall spaces, but it is these creatures, which from a distance resemble ethnographic tribal sculptures, that catch your eye. Closer up, extra-terrestrial looking, round painted mouths, and big … Continue reading
