Shanghai-born artist Chen Danqing was only 14 when he started painting Mao propaganda posters in the 1970s. “I painted more than 100 portraits of Chairman Mao on the street walls in Shanghai and its suburbs and also on factory iron sheets,” he says. “During that time, there were millions of amateur and professional painters in... Continue Reading →
The Violence of Gender: Performing Society, at Tai Kwun Contemporary, Tai Kwun Centre for Heritage and Arts, Hong Kong Installation view: Raphaela Vogel, Uterusland, 2017. Tai Kwun Contemporary, 2019 In the wake of the #metoo movement, where power, activism, feminism and gender collide, a new exhibition at Tai Kwun Contemporary at Hong Kong's Tai Kwun Centre... Continue Reading →
Contagious Cities: Faraway Too Close 26 January - 21 April, 2019 Tai Kwun Contemporary, Hong Kong In 2003, the SARS outbreak led to a shutdown of Hong Kong. The virus infected 1,755 people in the city, killing 299. Fear of the epidemic led many, mainly expats, to flee. Those who didn’t leave avoided public spaces. A... Continue Reading →
Lee Bul, Willing to be Vulnerable–Metalized Balloon, 2019 at Encounters. Art Basel HK 2019 If with the advent of Artificial Intelligence, and the concomitant displacement of jobs that ensues, only those servicing the über wealthy will remain employed, then it would appear that the art world, with its numerous advisors, dealers, collection managers and specialists catering... Continue Reading →
Day Jackson's is a multifaceted practice, encompassing sculpture, paintings, printing, collage, photography, video, installation, and performance. His work traverses histories while repurposing symbols of American culture, such as Disney figures, atomic bombs, and Life magazine covers.
Art fairs are like the Hydra—chop one head off and several more sprout up in its place. This month saw the inauguration of two new fairs in Asia alone, with Taipei Dangdai kicking off in the third week of January, followed by S.E.A. Focus the very next week in Singapore (24–27 January 2019). February also... Continue Reading →
It is perhaps fitting that French-born Algerian artist Kader Attia is based in Berlin, a city of scars. A city where the ruins of a wall that once divided it are still visible; a city in which the atrocities committed during wars and by two repressive regimes are memorialised; where the architecture of communism and... Continue Reading →
Launched in 1996 and now in its twelfth edition, the Shanghai Biennale is the longest-running biennial in China, presented at the Power Station of Art, China's only government-funded art space in a landscape dominated by private museums. This year's edition (10 November 2018–10 March 2019), curated by Mexican-born Cuauhtémoc Medina, brings together the work of... Continue Reading →
There has been a huge proliferation of biennales in recent years, with nearly 250 biennials currently operating globally, listed by the Biennial Foundation’s Directory of Biennials. They have become a marker of a must-see modern city, a showing off of soft power, a rapacious consumption of culture and a drawcard for cultural tourism.... Continue Reading →
The “enfant terrible of the New York school”, as poet Frank O’Hara dubbed Robert Rauschenberg, reshaped 20th-century American art and left behind a boundary-breaking body of work characterised by experimentation and unorthodox use of different media. His early works, made in the 1950s and 60s, featured composites of found objects – bottles, a taxidermy goat head, newspapers, chairs, rubber... Continue Reading →
The last time I visited West Bund Art & Design was four years ago, when the fair was only in its first year of operation: a small, boutique offering held in a cavernous hangar that seemed too big for it. Much has changed since then. Mirroring the rapid development of the city itself, West Bund... Continue Reading →
Published on ocula From Cao Fei's first large-scale institutional exhibition in Asia, to a showing of historical works by Robert Rauschenberg, Ocula contributor Diana d'Arenberg offers her lowdown of shows to see in Hong Kong this autumn. Cao Fei: A hollow in a world too full Tai Kwun Contemporary, 10 Hollywood Rd, Central 8 September... Continue Reading →
post-ism.com 
You must be logged in to post a comment.