Author: postism
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Liquified Sunshine | Force Majeur: Luke Ching Chin Wai & South Ho Siu Nam
The first exhibition in Hong Kong addressing and engaging with the city’s current political and identity troubles, Liquefied Sunshine | Force Majeure is a creative dialogue between Hong Kong artists Luke Ching Chin Wai and South Ho Siu Nam that explores the notion of storms, one natural, the other political.
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Neri Oxman: Material Ecology Exhibition at MoMA
First published on plant-terra, April 2020 A new exhibition at New York’s Museum of Modern Art (MoMA) showcases the radical projects and sustainable design of boundary-breaking polymath and innovator Neri Oxman. American-Israeli architect, designer, academic and inventor Neri Oxman has built a reputation for being at the cutting edge of new design materials and methodologies.…
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McArthur Binion at Lehmann Maupin and Massimo de Carlo Gallery, HK
After decades of being overlooked, it’s fair to say that 73-year-old American artist McArthur Binion is having a moment. With a spate of recent exhibitions, notably his inclusion in the 2017 Venice Biennale Viva Arte Viva and a 2018 solo exhibition at the Cranbrook Art Museum in Detroit, this past month the artist has also celebrated the opening of several…
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A Visit to Kanaal
Previous years have seen Belgian collector, art and antiquities dealer, gallerist and celebrated designer, Axel Vervoordt, stage some of the most beautiful exhibitions during the Venice Biennale at the Palazzo Fortuny. Filled with works from his collection — paintings by Gutai and Dansaekwa masters Kazuo Shiraga and Yun Hyong-Keun, Ghanaian artist El Anatsui, as well…
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Chen Danqing at Tang Contemporary
Shanghai-born artist Chen Danqing was only 14 when he started painting Mao propaganda posters in the 1970s. “I painted more than 100 portraits of Chairman Mao on the street walls in Shanghai and its suburbs and also on factory iron sheets,” he says. “During that time, there were millions of amateur and professional painters in…
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The Violence of Gender: Performing Society
The Violence of Gender: Performing Society, at Tai Kwun Contemporary, Tai Kwun Centre for Heritage and Arts, Hong Kong In the wake of the #metoo movement, where power, activism, feminism and gender collide, a new exhibition at Tai Kwun Contemporary at Hong Kong’s Tai Kwun Centre for Heritage and the Arts proposes to look at the…
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Contagious Cities: Faraway Too Close
Contagious Cities: Faraway Too Close 26 January – 21 April, 2019 Tai Kwun Contemporary, Hong Kong In 2003, the SARS outbreak led to a shutdown of Hong Kong. The virus infected 1,755 people in the city, killing 299. Fear of the epidemic led many, mainly expats, to flee. Those who didn’t leave avoided public spaces. A…
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Art Basel Hong Kong 2019: A Post-Mortem
If with the advent of Artificial Intelligence, and the concomitant displacement of jobs that ensues, only those servicing the über wealthy will remain employed, then it would appear that the art world, with its numerous advisors, dealers, collection managers and specialists catering to wealthy collectors––minted by the minute like Zimbabwean currency––should be just fine. It…
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Interview: Matthew Day Jackson
Day Jackson’s is a multifaceted practice, encompassing sculpture, paintings, printing, collage, photography, video, installation, and performance. His work traverses histories while repurposing symbols of American culture, such as Disney figures, atomic bombs, and Life magazine covers.
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SEA Focus and Singapore Art Week
Art fairs are like the Hydra—chop one head off and several more sprout up in its place. This month saw the inauguration of two new fairs in Asia alone, with Taipei Dangdai kicking off in the third week of January, followed by S.E.A. Focus the very next week in Singapore (24–27 January 2019). February also…
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Kader Attia: Héroes Heridos
It is perhaps fitting that French-born Algerian artist Kader Attia is based in Berlin, a city of scars. A city where the ruins of a wall that once divided it are still visible; a city in which the atrocities committed during wars and by two repressive regimes are memorialised; where the architecture of communism and…
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Cuauhtémoc Medina in Conversation
Launched in 1996 and now in its twelfth edition, the Shanghai Biennale is the longest-running biennial in China, presented at the Power Station of Art, China’s only government-funded art space in a landscape dominated by private museums. This year’s edition (10 November 2018–10 March 2019), curated by Mexican-born Cuauhtémoc Medina, brings together the work of…
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